F.A. has erupted into his art with magical joy. His paintings have as a "leit motiv" the landscape of sprawling plains from the "pampas", generally focused from very wide perspective and he moves within that difficult limit separating abstraction from figuration, or inversely, as one prefers. Nature is recognisable, but it is obvious that in his case, the artist is not subjected to it. In the terrestrial planes as well as in the celestial planes F.A. takes liberty in the way he treats his compositions, but with a considerable dose of constraint. But not because of this, does he enter into what we know under the name of realism. At times the colour is vibrant and highlights the emphasis of the drawing.

Rafael Squirru, La Nación.

There is an unquestionable fact: painting is nothing if one does not have the unusual gift of feeling. This is what L.F.A. proposes in his exhibition of landscapes, subject he has exhaustedly developed from his very beginning and in which he has outpoured his academicisms, his transgressions, his personal experiences, and, above all, his unconcealable joy for the act of painting. There is a colour explosion that spreads throughout the surface of the painting achieving with it great spontaneity that reflects the rhythm of the vital movement of every brushstroke.

Laura Feinsilber, Ambito Financiero.