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THE PROCESS: CREATION-MATERIALIZATION |
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“First I sketch and draw, from live models.
This is a starting point to get in touch with stone
and take in each movement and great displacements in space.” |
NORMA D'IPPOLITO |
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Charcoal drawing on paper
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“A sculptor does not draw as a painter. The first one builds, the other one encloses” Claudie Judrin
“Un dessin de sculpteur”, Abstract from “Rodin, Le musée et ses collections” - 1996 |
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Charcoal and pastel drawing on paper
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“Whatever may be his stroke, the sculptor voluntarily searches space or volume” Claudie Judrin. |
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Charcoal and pastel drawing on paper
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“It doesn’t matter to profile a face, a hand or a foot; it only matters movement, attitude, posture” Claudie Judrin. |
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Charcoal and pastel drawing on paper
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“I have not a sketch which I respect strictly. I begin my work removing the greatest volumes with the angle grinder. Afterwards I work with the pneumatic hammer. Immediately I “get in touch” with the deepness of the block and I begin to visualize the shape I want”.
Norma D’Ippolito. |
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A block of marble arrives at Norma D’Ippolito’s workshop
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Working with the angle grinder |
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Working with the pneumatic hammer
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“There is a moment almost “magic” where I feel that a sculpture emerges from the stone”.
Norma D’Ippolito. |
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The earth
1998
Direct carving in Carrara marble
45 x 25 x 18 cm
Artist’s property |
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“Then I must use the files and dry or wet sandpaper. I do not like to do this with a machine because I need to assess how light slides, one of my greatest concerns”.
Norma D’Ippolito. |
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Deep breeze
(Fragment) |
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