THE PROCESS: CREATION-MATERIALIZATION
 
“First I sketch and draw, from live models.
This is a starting point to get in touch with stone
and take in each movement and great displacements in space.”
NORMA D'IPPOLITO


Charcoal drawing on paper

“A sculptor does not draw as a painter. The first one builds, the other one encloses” Claudie Judrin
“Un dessin de sculpteur”, Abstract from “Rodin, Le musée et ses collections” - 1996


Charcoal and pastel drawing on paper

“Whatever may be his stroke, the sculptor voluntarily searches space or volume” Claudie Judrin.


Charcoal and pastel drawing on paper

It doesn’t matter to profile a face, a hand or a foot; it only matters movement, attitude, posture” Claudie Judrin.


Charcoal and pastel drawing on paper

“I have not a sketch which I respect strictly. I begin my work removing the greatest volumes with the angle grinder. Afterwards I work with the pneumatic hammer. Immediately I “get in touch” with the deepness of the block and I begin to visualize the shape I want”.
Norma D’Ippolito.

A block of marble arrives at Norma D’Ippolito’s workshop

Working with the angle grinder

Working with the pneumatic hammer

“There is a moment almost “magic” where I feel that a sculpture emerges from the stone”.
Norma D’Ippolito.

The earth
1998
Direct carving in Carrara marble
45 x 25 x 18 cm
Artist’s property

“Then I must use the files and dry or wet sandpaper. I do not like to do this with a machine because I need to assess how light slides, one of my greatest concerns”.
Norma D’Ippolito.

Deep breeze
(Fragment)

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Mosto & Rojas Arte - Buenos Aires - Argentina
 
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