1979–1986
KENNETH KEMBLE'S ATELIER
GREAT CHANGE OF SIZE, TECHNIQUES AND CREATIVE EXPERIENCES
 

“That a master with authority in the matter encourages and reassures you.
That he repeats “you can…you can”, was what moved me to work
untill I was able to give the best of myself

MARY BASSI
 

“If I have to trust someone younger than myself, in her capacity to develop this research and implement it through form and colour, it is Mary Bassi. Over time her persistence and endurance, her intelligence and sensibility, will demonstrate that I’m right.

KENNETH KEMBLE -Catalogue 1983-

El Deseo
1982
Acrylic on canvas
160 x 120 cm
Artist’s property

1980–1985
High palette and very coloured
The colour
“A dominant colour posseses tremendous
power in making a painting unique
 
MARY BASSI
 
 
“Without entirely removing the past, she does not try to reflect
what her eyes have seen, but what she feels in front of Nature.
Thus the inspiration motive is transformed in a centre
of chromatic energy, full of light and inspiration.
 
ALDO GALLI - La Nación -1984-
 

Amor Luna II
1985
Acrylic on canvas
120 x 98 cm
Private collection

Series
“Working in series has been an excellent mean
of getting down to the essence of my subjects.
 
MARY BASSI
 

Cardos Blancos
1997
Acrylic on canvas
97 x 97 cm
Private collection

Cardos Rojos
1999
Acrylic on canvas
97 x 97 cm
Duke Energy – Houston – Texas U.S.A.

Stormy weather
1999
Acrylic on canvas
97 x 97 cm
Duke Energy – Houston – Texas U.S.A.

Composition
“When working on several images based on the same subject,
or perhaps all derived from an earlier painting, composition becomes
one of the most important and deeply personal choice I make.
 
MARY BASSI
 

La Espera
1988
Acrylic on canvas
140 x 98 cm
Artist’s property

El Deseo III
1993
Acrylic on canvas
148 x 148 cm
IV Chandon Painting Biennial

La catedral Sumergida
2006
Acrylic on canvas
137 x 120 cm
X Sacred Art Biennial – Art’s Pavilion – UCA

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Mosto & Rojas Arte - Buenos Aires - Argentina
 
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